Tamsin Relly’s abstract paintings of ice landscapes and forests are kept in mostly in greens and greys, with frosty white accents, for example ‘Ice Mountain’ (water-soluble oils and gesso on aluminium), ‘Ice Grotto I’ (water-based monotype on Somerset paper) and ‘Greenhouse II’ (water-based monotype on Zerkall). The artist, who recently spent some time in the Arctic Circle in order to witness the effects of global warming first-hand, captures her reaction to this global issue on various types of paper, aluminium, as well as on an impressive giant Mohair Tapestry (‘Business as Usual’), which resembles an underwater volcano erupting in icy waters.